OPEN WORLD FATIGUE IN GAMING
Recently, I decided to begin To The Witcher 3, The Wild Hunt, to have another go at the legend game. The game is an excellent open-world adventure. I rate it highly. However, despite my excitement at exploring the world again, I felt a sudden sense of dread.
Just an hour into the White Orchard tutorial, I felt hesitant about continuing the experience. It was like I could see a path leading up to a mountain. Although it’s a path that I had walked before, this time, my heart wasn’t in the right place. That was when I realized I was suffering from a common problem for gamers. Open world fatigue is a common problem in gaming.
As someone who has enjoyed the genre for over ten years, it was a surprise to me. In the past, I was a champion of open-world games, but I never understood why some gamers dislike them. The problem is finally upon me, and I am determined to find the cause. This article will attempt to understand open-world fatigue in gaming and why it is more common than ever.
It retroactively destroys old favourites.
TIME CONSTRAINTS
In this regard, I must immediately say that I am quite ideally placed. I am blessed with plenty of gaming time. Gaming is something I genuinely enjoy and want to do. This is why I don’t think this obstacle should be a problem. My free time seems to be blurring, and I feel increasingly frustrated. It feels like each gaming session is almost identical. Feel like you’re on a treadmill.
Players with limited time will face a more complex problem due to time constraints. It is challenging to keep gamers committed to games that require 60 hours to complete the story. Take a look at Dying Light 2, which took 500 hours to complete. But, open-world fatigue is not the same thing as boredom. This has more to do with the accessibility of the genre than the appeal.
THE RPG
The abundance of RPGs is perhaps the most significant factor in increasing open-world fatigue. Using RPG mechanics is now a common design principle for large open worlds. This includes player builds that use stats and levelling up. It is common also to place a lot of emphasis on upgrading gear. This can lead to a tedious checklist that is necessary to keep the story going.
A rising trend is also the use of dialogue options. Although choosing what your character speaks is not a new trend in the genre, it is becoming more common. The game is bloated by this, as well as the large map. Every exchange is broken up into different branches of exposition. It often violates the show don’t tell rules. Games with a lot of dialogue options rarely have the luxury to animate every cutscene. Developers cut corners by using repurposed animations and simple framing. As a result, games become less cinematic and more tedious.
When I think of open-world fatigue in games, I think about how my time is valued. It doesn’t matter if I have plenty of time, it doesn’t mean that I want it wasted. The biggest problem with open-world games for me is their design philosophy that they are mostly filler. While it’s fine to avoid filler, recent games have leaned into the grind. It is easier to make a game more engaging to increase player engagement. It’s easier to make a game longer in order to increase player engagement statistics.
For some open-world games, the RPG may be an unnecessary constraint.
REPETITION
This is a complex point. It is related to the gameplay of each individual game as well as the entire genre. The uncanny feeling of deja vu has caused me to have more difficulty getting invested in open-world games. This is normal with sequels. However, when new titles feel eerily familiar it can be a sign that the genre is becoming boring.
Certain games are often described as Ubisoft-like. Use of mechanics like towers to reveal the map or collect items that litter the world. These are common in titles such as Assassin’s Creed and Far Cry. Ubisoft’s entire catalogue is experiencing this problem. Watch Dogs feels similar to the previously mentioned games. Immortals Fenix Rising is just Assassin’s Creed Odysseyassets re-used. It is becoming more tedious to go through the same experience over and over again with a different paint job. This is also affecting the rest of the genre with many titles taking cues from Ubisoft’s design philosophy.
Individual games are also affected by repetition. If a tutorial gives you all the experience, it is a sign that something is wrong. Perhaps the most frustrating aspect of a game is the lack of meaningful progression as you gain more experience. Open world fatigue is a sign of poor game design. It is the idea that players will want to do the same thing over and over again for 100 hours. This is the idea that the entire experience is so compelling that each moment doesn’t need to be unique.
This also reduces the replay value.
QUALITY OVER QUANTITY
Quality can refer to many different aspects. Quality does not only refer to stability or buggy state of games but also to their meaningful content. The quantity approach to games is becoming more common, a continuation of the previous point. It is not necessary to fill the map with copied-paste resources. The same buildings, same activities, same resources. All of this adds up to a very murky and undistinguishable experience.
It also applies to the state of the games. My first instinct when I hear about an open-world game is to think of bugs. This isn’t uncommon in any game. A few bugs are not something that would make me lose my mind. Open world fatigue is a growing problem in gaming due to the notorious reputation of glitchy titles. For a modern example, take a look at Cyberpunk2077’s buggy Launch. It seems that these games are too large to ensure quality control.
The quality of the individual moments within the game is also important to me. I love it when a game takes unexpected turns. It’s when the gameplay suddenly changes or the cinematography is spectacular. A mission that is intense and involves shifting environments and extreme action. It is exhausting to see open-world games refusing to be flexible in their mission design.
